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People

Viktoria Tkaczyk

Visiting Scholar (Mar 2020-Feb 2021)

Viktoria Tkaczyk is full professor at the musicology and media studies department of the Humboldt University Berlin, and works on technologies and knowledge techniques in the sciences and humanities. She has published widely on technological experimentation and testing, stage design, architecture, and sound media in the early modern and modern period. Currently she is completing a book entitled Thinking with Sound: New Agendas in the Sciences and Humanities around 1900 and preparing a new project on the history of the applied humanities.

Viktoria Tkaczyk received her PhD in theater studies from Freie Universität Berlin. Her first book, Himmels-Falten: Zur Theatralität des Fliegens in der Frühen Neuzeit (Munich: Fink), on flying machines in early modern science and theater, won the Ernst Reuter Dissertation Prize in 2008 and the Book Award of the Amsterdam School of Cultural Analysis in 2012. In 2011, she was a Feodor Lynen Fellow at the Atelier de Recherche sur l’Intermédialité et les Arts du Spectacle (CNRS) in Paris and became a member of the Junge Akademie at the Berlin Brandenburg Academy of Sciences and Humanities. From 2011 to 2014, she was Assistant Professor of Arts and New Media at the University of Amsterdam and a Dilthey Fellow at the Max Planck Institute for the History of Science. From 2015 to 2020, she headed the Max Planck Research Group “Epistemes of Modern Acoustics” and the German Research Foundation–funded project “Epistemic Dissonances: Objects and Tools of Early Modern Acoustics” at the FU Berlin (CRC 980), and initiated the database "Sound & Science: Digital Histories."

Forthcoming: Testing Hearing: The Making of Modern Aurality, edited by Alexandra Hui, Mara Mills, and Viktoria Tkaczyk (Oxford: Oxford University Press, 2020).

Current Projects

Historicizing the Applied Humanities
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Sound & Science: Digital Histories
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Thinking with Sound
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Completed Projects

Betwixt and Between: Sound in the Humanities and Sciences
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Research Network “Auditory Knowledge in Transition” (DFG)
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Sound Objects in Transition
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Testing Hearing
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The Making of Acoustics in Sixteenth- to Nineteenth-Century Europe
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Theater, Opera and Concert Culture and the Architects of Sound (1750–1900)
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Selected Publications

Tkaczyk, V. (2011). Himmels-Falten: zur Theatralität des Fliegens in der Frühen Neuzeit. München: Fink.

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Tkaczyk, V. (2014). Listening in circles: spoken drama and the architects of sound, 1750–1830. Annals of Science, 71(3), 299-334. doi:10.1080/00033790.2013.840928.

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Tkaczyk, V. (2015). The making of acoustics around 1800, or how to do science with words. In M. H. Dupree, & S. B. Franzel (Eds.), Performing knowledge, 1750-1850 (pp. 27-55). Berlin: De Gruyter.

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Tkaczyk, V. (2015). The shot is fired unheard: Sigmund Exner and the physiology of reverberation. Grey Room, 60, 66-81. doi:10.1162/GREY_a_00179.

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Tkaczyk, V. (2018). Whose Larynx Is It? Fields of Scholarly Competence Around 1900. History of Humanities, 3(1), 57-73. doi:10.1086/696302.

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Databases & Media

Events

Summer Colloquium

Knowledge as Product: The Herman Miller Research Corporation and the Architectonics of privacy (1959–1979)

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Workshop

Sound Objects in Transition: Knowledge, Science, Heritage

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Lecture

Zur akustischen Vermessung des Raumes: Eine Kulturgeschichte

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Berlin Doctoral Forum for the History of Science

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Lecture

The Roaring "Twenties": Noise in New York City circa 1930

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Lecture

Sound Signatures in Recorded Voices: Speaker Identification at the Stasi Headquarters, 1960s-1980s

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Summer School

Sound Signatures

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