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Joint Symposium “History for Physics” at the Max Planck Institute for Gravitational Physics in Potsdam (November 28–29, 2019)
PRESS RELEASE (PDF)Artists’ Optical Knowledge
The artist’s ability to construct a convincing illusion of three-dimensional space on the basis of geometry was a powerful weapon in the battle for a
Publications, Dupré, Sven: The Historiography of Perspective and Reflexy-Const in Netherlandish Art. in: Netherlands Yearbook for History of Art/Nederlands Kunsthistorisch Jaarboek, vol. 61, 2011, Related Digital Sources, ECHO: Art and Optics
Physik-Nobelpreis 2019: Glückwünsche an James Peebles
Glückwünsche an James Peebles für den Physik-Nobelpreis 2019
Dec 4, 2019 Nobelpreis-Website2019 Nobel Prize for Physics: Congratulations to James Peebles
Congratulations to James Peebles on being awarded the 2019 Nobel Prize in Physics
Dec 4, 2019 Nobel Prize WebsitePostdoctoral Fellow: Forschungsgruppe „Final Theory Program“ (Frist: 19. Dez. 2019)
Postdoctoral Fellow: Forschungsgruppe „Final Theory Program“ (Frist: 19. Dez. 2019)
Nov 11, 2019 Mehr LesenPostdoctoral Fellow Sought for Research Group on the Final Theory Program (deadline December 19, 2019)
Postdoctoral Fellow sought for Research Group on the Final Theory Program (deadline December 19, 2019)
Nov 11, 2019 Read MoreDe Sphaera: Die Bildung wissenschaftlichen Wissens durch epistemische Gemeinschaften im Europa der frühen Neuzeit
No 66
"De Sphaera" ist ein von Johannes de Sacrobosco zusammengestelltes Universitätslehrbuch, das ab der ersten Hälfte des 13. Jahrhunderts ungefähr 400 Jahre lang an europäischen Universitäten für die Einführung in die Astronomie verwendet wurde. Der Text wurde immer in Verbindung mit anderen Texten übermittelt, sowohl als Manuskript als auch als frühneuzeitlicher Druck.
Matteo Valleriani
Florian Kräutli
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De Sphaera: Epistemic Communities Shaping Scientific Knowledge in Early Modern Europe
No 66
"De Sphaera" is a university textbook compiled by Johannes de Sacrobosco that was used in European universities for around 400 years, beginning in the first half of the thirteenth century, for introductory classes in astronomy. The text has always been transmitted in connection with other texts, both as manuscripts and early modern prints.
Matteo Valleriani
Florian Kräutli
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Divido in Simile Parte: Representation of Distance and Quantity in Leon Battista Alberti’s "De pictura"
Art history textbooks state that the first mathematically exact procedure used to construct perspective was invented by Filippo Brunelleschi in Floren
Color in Nature and Color in Art
"For the causes and essences of color are as disputed, and obscure to the intellect, as they are themselves manifest to sight."
(Julius Caesar Scalig