Hansjakob Ziemer
Senior Research Scholar, Head of Cooperation and Communication (Since 2008)
Dr.
Room 254
Hansjakob Ziemer received his PhD in Modern History from the Humboldt University in 2007. In his thesis he dealt with the cultural history of concert life in the beginning of the twentieth century in Frankfurt am Main in order to show the concert hall as a site where society came to terms with the cultural and social consequences of Modernity. He is also working on the history of emotions, of concert hall architecture, and of musicology. He is the co-editor of two large-scale projects: for OUP he coedited with Christian Thorau a handbook on the history of music listening in the nineteenth and twentieth centuries (January 2019), and with Daniel Morat he coedited a handbook Sound: Geschichte, Begriffe, Ansätze (Metzler, Summer 2018). His next project will address the history of journalistic knowledge in the nineteenth and twentieth centuries.
Current Projects
Completed Projects
Books
Selected Publications
Thorau, C., & Ziemer, H. (2020). Die Kunst des Hörens in Bildern. In A. Schloemann, & C. Woldt (
Read MoreEds. ), 150 Jahre Dresdner Philharmonie 1870-2020 (pp. 12-38). Dresden: Dresdner Philharmonie.
Thorau, C., & Ziemer, H. (
Read MoreEds. ). (2019). The Oxford Handbook of Music Listening in the 19th and 20th Centuries. Oxford: Oxford University Press. doi:10.1093/oxfordhb/9780190466961.001.0001.
Thorau, C., & Ziemer, H. (2019). The Art of Listening and its Histories: An Introduction. In C. Thorau, & H. Ziemer (
Read MoreEds. ), The Oxford Handbook of Music Listening in the 19th and 20th Centuries (pp. 1-36). Oxford: Oxford University Press. doi:10.1093/oxfordhb/9780190466961.013.1.
Ziemer, H. (2019). The Crisis of Listening in Interwar Germany. In C. Thorau, & H. Ziemer (
Read MoreEds. ), The Oxford Handbook of Music Listening in the 19th and 20th Centuries. Oxford: Oxford University Press. doi:10.1093/oxfordhb/9780190466961.013.13.
Morat, D., & Ziemer, H. (
Read MoreEds. ). (2018). Handbuch Sound: Geschichte – Begriffe – Ansätze. Stuttgart: Metzler.
Ziemer, H. (2018). Konzertsaal. In D. Morat, & H. Ziemer (
Read MoreEds. ), Handbuch Sound: Geschichte – Begriffe – Ansätze (pp. 271-276). Stuttgart: Metzler.
Ziemer, H. (2017). Opferstiere und Barbaren im Konzert: zu einer historischen Anthropologie des Musikhörens der 1920er Jahre. In K. Aringer, F. K. Praßl, P. Revers, & C. Utz (
Read MoreEds. ), Geschichte und Gegenwart des musikalischen Hörens: Diskurse - Geschichte(n) - Poetiken (pp. 257-274). Freiburg i.Br.: Rombach Verlag.
Ziemer, H. (2017). Konzerthörer unter Beobachtung: Skizze für eine Geschichte journalistischer Hörertypologien zwischen 1870 und 1940. In Netzwerk "Hör-Wissen im Wandel" (
Read MoreEd. ), Wissensgeschichte des Hörens in der Moderne (pp. 183-206). Berlin: De Gruyter. doi:10.1515/9783110523720-008.
Morat, D., Tkaczyk, V., & Ziemer, H. (2017). Einleitung. In Netzwerk "Hör-Wissen im Wandel" (
Read MoreEd. ), Wissensgeschichte des Hörens in der Moderne (pp. 1-19). Berlin: De Gruyter. doi:10.1515/9783110523720-001.
Ziemer, H. (2014). Der ethnologische Blick: Paul Bekker und das Feuilleton zu Beginn des 20. Jahrhunderts. In Kommunikationsräume des Europäischen - Jüdische Wissenskulturen jenseits des Nationalen (pp. 113-129). Leipzig: Leipziger Universitätsverlag.
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Ziemer, H. (2014). Listening on the home front: music and the production of social meaning in German concert halls during World War I. In D. Morat (
Read MoreEd. ), Sounds of modern history: auditory cultures in 19th- and 20th-century Europe (pp. 201-224). New York [u.a.]: Berghahn.
Ziemer, H. (2013). Klang der Gesellschaft: zur Soziologisierung des Klangs im Konzert, 1900-1933. In A. Volmar, & J. Schröter (
Read MoreEds. ), Auditive Medienkulturen: Techniken des Hörens und Praktiken der Klanggestaltung (pp. 145-163). Bielefeld: transcript-Verlag.
Ziemer, H. (2008). Die Moderne hören: das Konzert als urbanes Forum, 1890-1940. Frankfurt am Main [u.a.]: Campus.
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Events
Workshop
- Institute Event
CANCELED: 15th Scholars’ Forum for Literature and the History of Science
MOREWorkshop
Sounds of Language
MOREWorkshop
- Institute Event
Relating Pasts & Presents—History of Science & Social Science
MOREMax-Planck-Tag
Max-Planck-Tag: Nachwuchs-wissenschaftler treffen auf Nachwuchsjournalisten
MOREWorkshop
13th Scholars’ Forum for Literature and the History of Science
MOREWorkshop
- Institute Event
Observing the Everyday: Journalistic Practices and Knowledge Production in the Modern Era
MOREWorkshop
Betwixt and Between: Sound in the Humanities and Sciences
MOREWorkshop
- Institute Event
Observing the Everyday: Journalistic Practices and Knowledge Production in the Modern Era
MOREPresentations, Talks, & Teaching Activities
Leopold Katscher
"How We Became Journalists": Constructing Journalistic Personae in the Deutsche Presse Survey (1929)
Sounds in the Papers: Musical Hermeneutics in the "Feuilletonistic Age"
Observing Social Sounds: Paul Bekker and the Proto-Sociology of Musical Forms during World War I
The World in the Feuilleton: Leopold Katscher and Observing the Social around 1900
Hörerbeobachtung in der Krise: Zur Wissensgeschichte von Hörertypen am Ende der Weimarer Republik
“How We Became Journalists”: Journalistic Observation and the Formation of Identity in the Deutsche-Presse-Survey of 1929
Hörerbeobachtung: Zur Wissenskonstruktion in journalistischen Hörertypologien um 1900
Exkurs Architekturgeschichte und –soziologie
Hörerbeobachtung. Journalisten im Konzertsaal, 1870–1940
Raum für alle? Das Festhallenprojekt in Frankfurt am Main, 1909–1912
Audience as Nation? Constructing Society in German Concert Halls at the Beginning of the 20th Century