Art and Knowledge

Art and Knowledge in Pre–Modern Europe

Sven Dupre


Willem II van Haecht, The Cabinet of Cornelis van der Geest, 1628. (Antwerp, Rubenshuis, detail)

Sven Dupré, Research Group Director to the MPRG Art and Knowledge in Pre-Modern Europe, was appointed Professor and Chair of History of Art, Science and Technology at Utrecht University as of September 2015, and the Research Group ended. Please contact Sven Dupré at  if you have any questions about the group’s research projects.

This research group investigates how artists invented and appropriated knowledge, conceived and categorized knowledge, and transmitted and circulated knowledge in the visual and decorative arts in the pre-modern period. Did they distinguish artists’ knowledge from other types of knowledge, and if so, what kind of knowledge did they consider within their remit? How did the epistemic requirements for artists change between 1350 and 1750? Was this connected to the training and education of artists and to art theory? How was knowledge shared between artists and patrons, and which role did knowledge play in the collecting of art?

The production of objects of art is based on diverse fields of knowledge, from history to theology, from knowledge of materials and techniques to mathematics, from natural history to anatomy, from optics to alchemy. This research group is writing an epistemic history of art that focuses on the mediation of the circulation of knowledge within the artists's workshop and beyond as it travelled in other domains more familiar to historians of science, medicine and technology. By focusing on the epistemic dimensions of the production and consumption of art this project readdresses the long-standing question in the history of science on the contribution of the arts to the emergence of early modern science.

The research group considers both the visual and the decorative arts. The main characteristic of its approach lies in dealing with material objects, paintings and other visual depictions not primarily as images, but as processes. The study of the sources requires expertise in different domains, from technical art history to history of science and technology, history of art and art theory. The research group links the Max Planck Institute for the History of Science with the Institute for Art History at the Freie Universität Berlin. This connection is part of the cooperation in the history of knowledge between the Max Planck Institute for the History of Science and the three main universities in the German capital, the Freie Universität Berlin, the Humboldt-Universität zu Berlin, and the Technische Universität Berlin.