622 Search Results
Art of Judgement: A Speakers’ Series | Feb 11-Feb 12, 2016 | 09:00 bis 17:00
Charting the Flow: Water Science and State Hydrography in the Po Watershed
MehrAuditory Data Analysis. Knowledge Making, the Senses, and the Formation of Scientific Sonification, 1980–2000
This project aimed to critically reflect and historicize data practices in relation to sensory practices within the history of science. While the fabr
Publications, Volmar, A. (2015). Ein ‘Trommelfeuer von Signalen:’ Zur auditiven Produktion von Wissen in der Geschichte der Strahlenmessung. In Technikgeschichte 82 [forthcoming]. , Funding Institutions, Mellon Foundation
From Herodotus to Global Circulation
“From Herodotus to Global Circulation” examines the role of data in the methodological development of climatology from the middle of the nineteenth ce
Publications, Lehmann, P. N. (2014). Between Waterberg and Sandveld: An Environmental Perspective on the German-Herero War of 1904. German History 32(4), 533-558.
Sind Daten politisch?
Nr 40
Die Wissenschaftshistorikerin Elena Aronova untersucht in ihrem Projekt die Geschichte und Politik der Sammlung von Umweltdaten während des Kalten Krieges.
Do Data Have Politics?
Nr 40
In her project, historian of science Elena Aronova investigates the history and politics of environmental data collection during the Cold War.
Rice and History of Science
Mehr
Rice and History of Science
MehrAtomic Food for Peace?—Materializing a Radiant Idea in a Transnational Network of Research and Development
As a title for her project, “Atomic Food for Peace” is Karin Zachmann's invention. As a concept, however, it clearly existed in the mid-1950s. The ide
Science and Technology in Italian Postwar Cultural Journals
After the liberation from Fascism and the end of Second World War, Italy put many efforts in the reconstruction of the country based on industrial dev
Asynchronicity—The Soviet Audiovision (1925–1934)
Jana Klenhova's dissertation project was a media-historical study of practices and theories of synchronicity and asynchronicity in early Soviet sound