People

Fanny Gribenski

Research Scholar (Jan 2018-Dec 2019)

PhD

Fanny Gribenski studied musicology and history at the École Normale Supérieure of Lyon, the Paris Conservatory, and the École des hautes études en sciences sociales. She obtained her PhD in 2015 with a dissertation on the history of concert life in nineteenth-century French churches, which served as the basis for her first book, L’Église comme lieu de concert. Pratiques musicales et usages de l’espace (1830–1905) (Actes Sud, 2019). She has been a Fondation Thiers fellow, a Fulbright postdoctoral fellow and visiting scholar at the University of California, Los Angeles, and a Dibner fellow in the history of science and technology at the Huntington Library (San Marino, California). She is currently working on her next book project, Tuning the World. Fanny Gribenski is a book review editor for the Revue de musicologie.

Projects

Sound & Science: Digital Histories

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Tuning the World: Aesthetics, Acoustics, Industry, and Global Politics (1834–1939)

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No projects were found for this scholar.

Selected Publications

Favard, M., & Gribenski, F. (2016). Perspectives croisées pour une esthétique de la disparition des corps: Divagations (1897) de Mallarmé en regard des auditions de musique ancienne de la Semaine Sainte de Saint-Gervais (1892). Fabula, les…

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Gribenski, F., & Jardin, E. (2018). ‘Le souvenir des âmes heureuses’: la figure d'Edgar Quinet dans ‘Ce que dit la musique’. In S. Guermès, & B. Krulic (Eds.), Edgar Quinet, une conscience européenne (pp. 263-276). Bruxelles: Peter Lang. doi…

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Gribenski, F. (Ed.). (2018). «Les marchés de la musique vivante», de l’expérience professionnelle à l’enseignement et la recherche: entretien avec Gilles Demonet. Transposition: musique et sciences sociales, 7, 1-6. doi:10.4000/transposition.2745.

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Gribenski, F., & Jardin, É. (Eds.). (2018). Le prix de la musique [Special Issue]. Transposition: musique et sciences sociales, 7.

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Gribenski, F. (2014). Présenter la musique ancienne. Les avatars du concert-conférence à Paris dans les années 1880–1890. In X. Bisaro, & R. Campos (Eds.), La musique ancienne entre historiens et musiciens (pp. 63-103). Geneva: Droz-Haute École de musique de Genève.

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Gribenski, F. (2013). L'église comme lieu de concert? Les célébrations de la Sainte-Cécile à Saint-Eustache par l'Association des artistes musiciens (1847–1900). Revue de musicologie, 99(2), 295-324.

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Events

Presentations, Talks, & Teaching Activities

Tuning the World

History of Science, Medicine and Technology Colloquium

Tuning the world. A history of global negotiations at the crossroads of aesthetics, politics, science and industry

Annual meeting of the American Musicological Society

The Church as Showroom for Instrument-Making and Musical Virtuosity: Organ Inaugurations in Nineteenth-Century Paris

Annual meeting of the American Musicological Society

The Church as Music Venue

Musiksoziologie Forschungskolloquium

The Church as Concert Hall: a Study of the sainte Cécile Feast’s Celebration by the Association des artistes musiciens at Saint-Eustache, Paris (1847-1870)

Annual meeting of the American Musicological Society