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Projects

Current & Completed

The Institute’s research projects span all eras of human history, as well as all cultures north, south, east, and west. The Institute’s projects canvass an array of scientific areas, ranging from the origins of continuity systems in Mesopotamia to present-day neuroscience, Renaissance natural history, and the origins of quantum mechanics.

The Institute's researchers explore the changing meaning of fundamental scientific concepts (for example number, force, heredity, space) as well as how cultural developments shape fundamental scientific practices (for example argument, proof, experiment, classification). They examine how bodies of knowledge originally devised to address specific local problems became universalized.

The work of the Institute's scholars forms the basis of a theoretically oriented history of science which considers scientific thinking from a variety of methodological and interdisciplinary perspectives. The Institute draws on the reflective potential of the history of science to address current challenges in scientific scholarship.

Project List

A Cultural History of Chemistry
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A Matter of Time
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A Terrible Piece of Bad Metaphysics?
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African Chemistry
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Agricultural Uses of Alchemy
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Einstein Exhibition
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Alchemy and a Vernacular Color Code
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Alchemy as the Art of Dyeing
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Ancient Astronomy and Geography
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Ancient Babylonian Astronomy
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Anthropogenic Markers
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Anthropometric Data Banks
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Archival Reasoning: Astronomy, Chronology, History
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Art and Alchemy
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The Possessions of Emmanuel Ximenez
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Artists’ Optical Knowledge
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Astronomy of the Early Modern Era
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Women Scientists at the Humboldt University, 1946–1961
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Auditory Data Analysis
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Before Copernicus
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BIFOLD - BZML
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Bourgeois Berlin and Laboratory Science
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Bringing Chymistry into Shape
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Brownian Motion
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Cartography in Sacroboscoʼs “Sphere”
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Changing Contexts and Practices
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Charting the Weather: Graphical Representations in Late Eighteenth-Century Meteorology
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Chemical Desires (1850–1929): Making the Architectural Materials of Modernity
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Chemical Knowledge and the Armourers’ Art
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Chemical Technology and Epistemological Debate
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