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Projects

Current & Completed

The Institute’s research projects span all eras of human history, as well as all cultures north, south, east, and west. The Institute’s projects canvass an array of scientific areas, ranging from the origins of continuity systems in Mesopotamia to present-day neuroscience, Renaissance natural history, and the origins of quantum mechanics.

The Institute's researchers explore the changing meaning of fundamental scientific concepts (for example number, force, heredity, space) as well as how cultural developments shape fundamental scientific practices (for example argument, proof, experiment, classification). They examine how bodies of knowledge originally devised to address specific local problems became universalized.

The work of the Institute's scholars forms the basis of a theoretically oriented history of science which considers scientific thinking from a variety of methodological and interdisciplinary perspectives. The Institute draws on the reflective potential of the history of science to address current challenges in scientific scholarship.

Project List

Early Modern Art Technology
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Early Modern Color Worlds
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Early Optics and Perspective through Microscopic Lenses
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Early Vernacular Medical Books: Making, Users and Uses, Impact
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Mining Experts
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Color in Traditional Craft Practice in South India
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Emerging Complexity
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Encountering Hermes in the Unknown
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Encounters with Indigo
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Engineering, Cartography, and the Culture of Knowledge in Late Sixteenth-Century Rome
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The Materiality of the Senses
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History and Philosophy of the Risk Factor Approach to Disease
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Epistemic Visuality of Early Modern Astral Knowledge
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Epistemic Writings
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On Graphic and Photographic Inscription
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Epistemologies of Craft
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Exhibition Project on Art and Alchemy
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Expansive Science in Southern Mexico
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Experience in Translation
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Experimental Archeology
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Experimental Imagery
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Experimentalization of Gardening in Nineteenth-Century Germany
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Experimentalization of Life
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Experimenting with Life’s Potential;
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Exploring the As Yet Unknown
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Extracting Knowledge from Optical Artifacts: On Mydorge’s Experiments
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