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Projects

Current & Completed

The Institute’s research projects span all eras of human history, as well as all cultures north, south, east, and west. The Institute’s projects canvass an array of scientific areas, ranging from the origins of continuity systems in Mesopotamia to present-day neuroscience, Renaissance natural history, and the origins of quantum mechanics.

The Institute's researchers explore the changing meaning of fundamental scientific concepts (for example number, force, heredity, space) as well as how cultural developments shape fundamental scientific practices (for example argument, proof, experiment, classification). They examine how bodies of knowledge originally devised to address specific local problems became universalized.

The work of the Institute's scholars forms the basis of a theoretically oriented history of science which considers scientific thinking from a variety of methodological and interdisciplinary perspectives. The Institute draws on the reflective potential of the history of science to address current challenges in scientific scholarship.

Project List

Drawing Gesture
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Early Modern Art Technology
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Early Modern Color Worlds
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Early Optics and Perspective through Microscopic Lenses
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Engineering, Cartography, and the Culture of Knowledge in Late Sixteenth-Century Rome
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Exhibition Project on Art and Alchemy
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Experimental Archeology
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Experimental Imagery
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Extracting Knowledge from Optical Artifacts: On Mydorge’s Experiments
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Fireworks and Color in the Sixteenth and Seventeenth Centuries
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From Cennini to de Mayerne: Artists’ Recipes
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From the Vitruvian Prospectiva Aedificandi to the Euclidean Piazza in Trecento. Architectural Theory and Practice
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Gems and the New Science
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Gems in Transit
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Giovan Battista della Porta and Francis Bacon
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Golden Wood and Panels of Porphyry. Appraising and Examining the Art of Ersatz in Pre- and Early Modern Times
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Goldsmiths and Chymists
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How-To Optics in Books of Secrets
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Illuminating the "Elusive"
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Imagining Natural History
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Lomazzo and Artists’ Knowledge in Sixteenth-century Milan
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Joshua Reynolds’ "Nice Chymistry"
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Knife and Saw: Dichotomies of Design and Knowledge (c.1400–1600)
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Knowledge Networks in Early Modern Holland
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Kunst, Fantasia and Ingenium: Printed Artists’ Manuals and the Shaping of Artistic Education in Northern Europe
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Laboratories of Art
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Malleable Anatomies
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Masaccio's Elements of Painting: Geometrical Practice in the Trinity Fresco
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Materiality and Metamorphosis: Stucco in the Architecture and Decoration of Early Modern Europe
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Material and Temporal Powers at the Casino San Marco
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