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Projects

Current & Completed

The Institute’s research projects span all eras of human history, as well as all cultures north, south, east, and west. The Institute’s projects canvass an array of scientific areas, ranging from the origins of continuity systems in Mesopotamia to present-day neuroscience, Renaissance natural history, and the origins of quantum mechanics.

The Institute's researchers explore the changing meaning of fundamental scientific concepts (for example number, force, heredity, space) as well as how cultural developments shape fundamental scientific practices (for example argument, proof, experiment, classification). They examine how bodies of knowledge originally devised to address specific local problems became universalized.

The work of the Institute's scholars forms the basis of a theoretically oriented history of science which considers scientific thinking from a variety of methodological and interdisciplinary perspectives. The Institute draws on the reflective potential of the history of science to address current challenges in scientific scholarship.

Project List

A Matter of Time
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A Visual Imprint of Moving Air
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Alchemy as the Art of Dyeing
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Alum—A Material at the Crossroads of the Arts, Crafts, and Learned Inquiry
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Ancient Babylonian Astronomy
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Architecture and Empire in the Reign of Yongle
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Art and Deception: Functions, Techniques, and Effects of Material Mimesis
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Art History around 1900
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The Possessions of Emmanuel Ximenez
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Art, Optics, and Practical Mathematics
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Asynchronicity—The Soviet Audiovision (1925–1934)
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Arctic Indigenous Fish Skin
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Auditory Data Analysis
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Painting Techniques around 1800
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Bottled Knowledge
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Bourgeois Berlin and Laboratory Science
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Brass Instrument Psychology
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Cabinetizing Art and Knowledge
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Camera Obscura
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Carbon Cosmotechnics
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Charting the Weather: Graphical Representations in Late Eighteenth-Century Meteorology
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Chemical Knowledge and the Armourers’ Art
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China in the Studio
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Traditions of Architectural Technology
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Chromatic Variations
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Cipriano Piccolpasso's Art of the Potter
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Collecting Artifacts in the Age of Empire
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Color and Aesthetics
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Color and Contingency in Robert Boyle's Works
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Color Does Matter
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