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Projects

Current & Completed

The Institute’s research projects span all eras of human history, as well as all cultures north, south, east, and west. The Institute’s projects canvass an array of scientific areas, ranging from the origins of continuity systems in Mesopotamia to present-day neuroscience, Renaissance natural history, and the origins of quantum mechanics.

The Institute's researchers explore the changing meaning of fundamental scientific concepts (for example number, force, heredity, space) as well as how cultural developments shape fundamental scientific practices (for example argument, proof, experiment, classification). They examine how bodies of knowledge originally devised to address specific local problems became universalized.

The work of the Institute's scholars forms the basis of a theoretically oriented history of science which considers scientific thinking from a variety of methodological and interdisciplinary perspectives. The Institute draws on the reflective potential of the history of science to address current challenges in scientific scholarship.

Project List

German Radio and the Development of Electric Music
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Goethe’s Experiments in Music and Theater, 1791–1817
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Harmonies at Work
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Toward a Metaphysics of Music Theory
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The Genealogy of the Decibel
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Acoustic Borderlands at Frankfurt Airport
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Keyboard Playing and the Reconceptualization of Polyphony
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Making Sense of the Environs: Exposure as Epistemic Action
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Music and Transience in the Six Dynasties
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Noisy Politics
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The Acoustics of the Knowledge Economy
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Gathering Acoustic Information during the Cold War
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Research Network “Auditory Knowledge in Transition” (DFG)
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Secondary Sounds
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Sonic Intermedia of Cold War Experimentalism
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Sound Effects: Technicians and the Talkies
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Sound & Science: Digital Histories
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Sound, Time, and the Apocalypse
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Tactile Speech
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Discovery of the Plastisphere
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The Human Scaffold
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Sound of Books
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The Word in the World
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Theatrical Spoken-Word Records in Germany and France, 1950–1970
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Time Bell in Northern Wei Luoyang
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Transience Group
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Radiophonic Composing in the Weimar Republic
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