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Projects

Current & Completed

The Institute’s research projects span all eras of human history, as well as all cultures north, south, east, and west. The Institute’s projects canvass an array of scientific areas, ranging from the origins of continuity systems in Mesopotamia to present-day neuroscience, Renaissance natural history, and the origins of quantum mechanics.

The Institute's researchers explore the changing meaning of fundamental scientific concepts (for example number, force, heredity, space) as well as how cultural developments shape fundamental scientific practices (for example argument, proof, experiment, classification). They examine how bodies of knowledge originally devised to address specific local problems became universalized.

The work of the Institute's scholars forms the basis of a theoretically oriented history of science which considers scientific thinking from a variety of methodological and interdisciplinary perspectives. The Institute draws on the reflective potential of the history of science to address current challenges in scientific scholarship.

Project List

A Matter of Time
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A New History of Medieval Science: Knowledge and Its Objects in Latin Europe and the Islamicate World, 750–1650
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Alchemy and a Vernacular Color Code
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Alhacen volgare
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Animals and Entangled Epistemologies
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Cabinetizing Art and Knowledge
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Collective Observation
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Color and Contingency in Robert Boyle's Works
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Color Beginnings
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Color in Nature and Color in Art
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Crafting a Natural History of Art
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Crafting Splendor and Examining Light
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Creative Natures
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Dirac, Wheeler, and Quantum Gravity
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Early Vernacular Medical Books: Making, Users and Uses, Impact
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Epistemic Visuality of Early Modern Astral Knowledge
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Experience in Translation
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Gems and the New Science
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Giovan Battista della Porta and Francis Bacon
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Good Science: Epistemic Values and Scholarly Reputations in Europe, 1770–1830
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Astral Knowledge on Ancient and Medieval Coins
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Lunar Diagrams in Byzantine and Slavonic Manuscripts
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Knowledge of Famine Foods in China
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Medieval Accounts of Animal Perception
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The Dark Glass: Alchemy in Image, Text, and Practice
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Analyzing Visual Language in Early Modern Astronomy
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Sebastian Münster’s Cosmographia (1544) in Translation
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Writings of Hildegard of Bingen (1098–1179)
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Visual and Material Cultures of Astrology and Astronomy in China and Inner Asia
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