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Projects

Current & Completed

The Institute’s research projects span all eras of human history, as well as all cultures north, south, east, and west. The Institute’s projects canvass an array of scientific areas, ranging from the origins of continuity systems in Mesopotamia to present-day neuroscience, Renaissance natural history, and the origins of quantum mechanics.

The Institute's researchers explore the changing meaning of fundamental scientific concepts (for example number, force, heredity, space) as well as how cultural developments shape fundamental scientific practices (for example argument, proof, experiment, classification). They examine how bodies of knowledge originally devised to address specific local problems became universalized.

The work of the Institute's scholars forms the basis of a theoretically oriented history of science which considers scientific thinking from a variety of methodological and interdisciplinary perspectives. The Institute draws on the reflective potential of the history of science to address current challenges in scientific scholarship.

Project List

Alchemy as the Art of Dyeing
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Alum—A Material at the Crossroads of the Arts, Crafts, and Learned Inquiry
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Art and Deception: Functions, Techniques, and Effects of Material Mimesis
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The Possessions of Emmanuel Ximenez
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Art, Optics, and Practical Mathematics
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Bottled Knowledge
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Cabinetizing Art and Knowledge
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Chemical Knowledge and the Armourers’ Art
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Chemical Technology and Epistemological Debate
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China in the Studio
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Chromatic Variations
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Cipriano Piccolpasso's Art of the Potter
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Color and Aesthetics
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Color and Contingency in Robert Boyle's Works
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Color Does Matter
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Constructed Optics, Topographic Perspective, and Garden Design. The Grand Canal at Versaillles
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Crafting a Natural History of Art
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Crafting Splendor and Examining Light
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Early Modern Art Technology
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Early Modern Color Worlds
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Early Optics and Perspective through Microscopic Lenses
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Engineering, Cartography, and the Culture of Knowledge in Late Sixteenth-Century Rome
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Experimental Archeology
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Fireworks and Color in the Sixteenth and Seventeenth Centuries
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From the Vitruvian Prospectiva Aedificandi to the Euclidean Piazza in Trecento. Architectural Theory and Practice
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Gems and the New Science
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Gems in Transit
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Giovan Battista della Porta and Francis Bacon
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Golden Wood and Panels of Porphyry. Appraising and Examining the Art of Ersatz in Pre- and Early Modern Times
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