Alternate Text
Projects

Current & Completed

The Institute’s research projects span all eras of human history, as well as all cultures north, south, east, and west. The Institute’s projects canvass an array of scientific areas, ranging from the origins of continuity systems in Mesopotamia to present-day neuroscience, Renaissance natural history, and the origins of quantum mechanics.

The Institute's researchers explore the changing meaning of fundamental scientific concepts (for example number, force, heredity, space) as well as how cultural developments shape fundamental scientific practices (for example argument, proof, experiment, classification). They examine how bodies of knowledge originally devised to address specific local problems became universalized.

The work of the Institute's scholars forms the basis of a theoretically oriented history of science which considers scientific thinking from a variety of methodological and interdisciplinary perspectives. The Institute draws on the reflective potential of the history of science to address current challenges in scientific scholarship.

Project List

Alchemy and a Vernacular Color Code
more
Alchemy as the Art of Dyeing
more
Alhacen volgare
more
Alum—A Material at the Crossroads of the Arts, Crafts, and Learned Inquiry
more
An Unknown Treatise on Shadows Referred to by Leonardo Da Vinci
more
Art and Alchemy
more
Art and Deception: Functions, Techniques, and Effects of Material Mimesis
more
The Possessions of Emmanuel Ximenez
more
Art, Optics, and Practical Mathematics
more
Artists’ Collections in the Netherlands
more
Artists’ Optical Knowledge
more
Bottled Knowledge
more
Cabinetizing Art and Knowledge
more
Chemical Knowledge and the Armourers’ Art
more
Chemical Technology and Epistemological Debate
more
China in the Studio
more
Chromatic Variations
more
Cipriano Piccolpasso's Art of the Potter
more
Color and Aesthetics
more
Color and Contingency in Robert Boyle's Works
more
Color Does Matter
more
Color in Nature and Color in Art
more
"Colores Quibus Pictores Utuntur." The Integration and Disintegration of Pigment Knowledge in the Sixteenth Century
more
Color, Vision, and the Eye
more
Conservation and Contingency
more
Constructed Optics, Topographic Perspective, and Garden Design. The Grand Canal at Versaillles
more
Crafting a Natural History of Art
more
Crafting Splendor and Examining Light
more
Creative Natures
more
Divido in Simile Parte: Representation of Distance and Quantity in Leon Battista Alberti’s "De pictura"
more