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Projects

Current & Completed

The Institute’s research projects span all eras of human history, as well as all cultures north, south, east, and west. The Institute’s projects canvass an array of scientific areas, ranging from the origins of continuity systems in Mesopotamia to present-day neuroscience, Renaissance natural history, and the origins of quantum mechanics.

The Institute's researchers explore the changing meaning of fundamental scientific concepts (for example number, force, heredity, space) as well as how cultural developments shape fundamental scientific practices (for example argument, proof, experiment, classification). They examine how bodies of knowledge originally devised to address specific local problems became universalized.

The work of the Institute's scholars forms the basis of a theoretically oriented history of science which considers scientific thinking from a variety of methodological and interdisciplinary perspectives. The Institute draws on the reflective potential of the history of science to address current challenges in scientific scholarship.

Project List

A Matter of Time
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A Visual Imprint of Moving Air
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Alum—A Material at the Crossroads of the Arts, Crafts, and Learned Inquiry
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Architecture and Empire in the Reign of Yongle
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Art and Deception: Functions, Techniques, and Effects of Material Mimesis
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Art History around 1900
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The Possessions of Emmanuel Ximenez
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Art, Optics, and Practical Mathematics
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Arctic Indigenous Fish Skin
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Bottled Knowledge
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Brass Instrument Psychology
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Cabinetizing Art and Knowledge
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Charting the Weather: Graphical Representations in Late Eighteenth-Century Meteorology
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China in the Studio
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Traditions of Architectural Technology
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Collecting Artifacts in the Age of Empire
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Color and Aesthetics
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Color Does Matter
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Constructed Optics, Topographic Perspective, and Garden Design. The Grand Canal at Versaillles
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Craft Knowledge, Experimentation and Theory Construction
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Crafting Splendor and Examining Light
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Crystals, Colloids, and Fibers
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Traditions of Technical Knowledge
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Cut and Paste
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Communities of Practice and the Making of Bingata
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Early Modern Color Worlds
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Epistemologies of Craft
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From the Vitruvian Prospectiva Aedificandi to the Euclidean Piazza in Trecento. Architectural Theory and Practice
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Craft and Statecraft in Qing China: 1700–1844
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Gems in Transit
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