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Projects

Current & Completed

The Institute’s research projects span all eras of human history, as well as all cultures north, south, east, and west. The Institute’s projects canvass an array of scientific areas, ranging from the origins of continuity systems in Mesopotamia to present-day neuroscience, Renaissance natural history, and the origins of quantum mechanics.

The Institute's researchers explore the changing meaning of fundamental scientific concepts (for example number, force, heredity, space) as well as how cultural developments shape fundamental scientific practices (for example argument, proof, experiment, classification). They examine how bodies of knowledge originally devised to address specific local problems became universalized.

The work of the Institute's scholars forms the basis of a theoretically oriented history of science which considers scientific thinking from a variety of methodological and interdisciplinary perspectives. The Institute draws on the reflective potential of the history of science to address current challenges in scientific scholarship.

Project List

Evolutionary Theory in Images
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Data and Material Culture
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Data Processing, Data Management, and Data Archiving in Twentieth-Century Astronomy
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Devices of Curiosity
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Dirac, Wheeler, and Quantum Gravity
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Surgery and Vision in Early Modern Europe
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Divido in Simile Parte: Representation of Distance and Quantity in Leon Battista Alberti’s "De pictura"
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Doctors of "L’Esprit nouveau": Human Energetics and the Formation of the French Avant-garde
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Documenting Destitution: Photography and the Visual Archive of Famine in India
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Documenting the World
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Dome of Heaven
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Drawing as Observing
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Drawing from Life
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Drawing Gesture
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Communities of Practice and the Making of Bingata
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Fenye Knowledge in General Maps
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Early Modern Architectural Production
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Geometrical Icons in Renaissance Christian Humanism
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Fireworks and Color in the Sixteenth and Seventeenth Centuries
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Fluorophores and Electronic Imaging in Cell Biology, 1945–95
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From Cennini to de Mayerne: Artists’ Recipes
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From Electrotype to the Electric Image
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From Form to Norm: The Systematization of Values in German Design
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From the Vitruvian Prospectiva Aedificandi to the Euclidean Piazza in Trecento. Architectural Theory and Practice
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Craft and Statecraft in Qing China: 1700–1844
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