Brigid Cohen is Assistant Professor of Music at New York University. She completed her PhD at Harvard University in 2007 and taught at University of North Carolina, Chapel Hill, until 2012. Cohen’s research and teaching center on twentieth-century musical avant-gardes, postcolonial studies, cultural and media theory, and migration and diaspora. Her first book, Stefan Wolpe and the Avant-Garde Diaspora (Cambridge University Press, 2012), won the Lewis Lockwood Prize of the American Musicological Society for best monograph of the year by a scholar at an early career stage. She is currently writing Musical Migration and the Global City: New York, 1957–1966, which explores questions of media, migration, and citizenship in New York as a capital of empire during the Cold War. In connection with this book in progress, her projects at the MPIWG include “Sonic Intermedia of Cold War Experimentalism” (2017) and “George Maciunas, Fluxus, and Media Technologies of Empire” (2018), which she is researching as a member of the “Epistemes of Modern Acoustics” group. She is the author of forthcoming articles on Cold War New York art scenes in Journal of the American Musicological Society (2018) and ASAP/Journal (2018) and the convener of the round table “Edward Said and Musicology Today” (2016) in Journal of the Royal Musical Association. Research for these projects has been supported the National Endowment for the Humanities.
Presentations, Talks, & Teaching Activities
American Musicological Society
University of Sydney
or Musical Cosmopolitics in Cold War New York