Mirjam Brusius

Postdoctoral research fellow
Ph.D.
Residence:
September 1, 2012 to August 31, 2013
Profile
Mirjam Brusius is a historian of art and science working on a book project concerning the value of Middle Eastern archaeological objects during the transition period on their way to Europe when the finds seem to have no status. The project investigates the subsequent processes of canonization and decanonization these objects caused upon their arrival in the leading museums of the nineteenth century.

Further projects include a monograph on the scholarly mindset of the British pioneer of photography W.H.F. Talbot as well as articles on the history of photography in Iran and more widely in the Middle East. Her co-edited volume on Talbot was recently published by Yale University Press.

Mirjam holds a Masters in Art History from Humboldt-Universität in Berlin and a Ph.D. in History and Philosophy of Science from the University of Cambridge. Her doctoral thesis (supervised by Prof Simon Schaffer) explored Talbot’s scientific interests and his role as an antiquarian in relation to his photographic achievements. As an AHRC collaborative doctoral award holder she also catalogued Talbot’s notebooks at the British Library.

Prior to her fellowship at MPIWG, she was a Postdoctoral Fellow at the Kunsthistorisches Institut in Florenz - Max Planck Institute. She was recently awarded fellowships at Harvard University and the University of Oxford.
Selected publications

Brusius, M., Dean, K., & Ramalingam, C. (Eds.). (2013). William Henry Fox Talbot: Beyond Photography. New Haven, London: Yale University Press.

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Brusius, M., & Ramalingam, C. (2013). Introduction. In M. Brusius, K. Dean, & C. Ramalingam (Eds.), William Henry Fox Talbot: Beyond photography. New Haven, London: Yale University Press.

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Brusius, M. (2013). From photographic science to scientific photography: Talbot, decipherment and the application of photography at the British Museum around 1850. In M. Brusius, K. Dean, & C. Ramalingam (Eds.), William Henry Fox Talbot: Beyond Photography. New Haven, London: Yale University Press.

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Brusius, M. (2012). Misfit Objects. Excavations in Mesopotamia and biblical imagination in mid-19th century Britain.

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Brusius, M. (2010). Impreciseness in Julia Margaret Cameron’s portrait photographs.

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Brusius, M. (2009). Inscriptions in a double sense: the biography of an early scientific photograph of script. Nuncius, 24(2), 367-392.

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Brusius, M. (2010). Beyond Photography. William Henry Fox Talbot’s notebooks in the Talbot Collection at the British Library.

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Brusius, M. (2011). Experimente ohne Ausgang: Talbot, Fenton und die Fotografie am British Museum um 1850. Fotogeschichte, 31(122), 13-22.

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Brusius, M. (2011). From photographic science to scientific photography. Photographic experiments at the British Museum around 1850. In Preprint 413 (to be published in 'William Henry Fox Talbot: Beyond Photography', New Haven, London 2013). Max Planck Institute for the History of Science.

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Brusius, M. (2011). Naser al-Din Shah und die frühe Fotografie in Persien. In B. Helwing (Ed.), Tehran 50. Ein halbes Jahrhundert deutsche Archäologie in Iran (pp. 10-12). Darmstadt: Philipp von Zabern.

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Brusius, M. (2010). Re-inventing Sinai. Biblical myth, photographic imagination and the arrival of tourism. In A. Hosni (Ed.), Go Down, Moses: a book on South Sinai (pp. 16-23). Cairo: Contemporary Image Collective.

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Brusius, M. (2009). Unschärfe als frühe Bildkritik. Die Frage nach dem Maß der Fotografie im 19. Jahrhundert. In I. Reichle (Ed.), Maßlose Bilder. Visuelle Ästhetik der Transgression. (pp. 342-358). München: Fink.

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Brusius, M. (2010). catalogue entry: Nota (Album Wilkinson). In M. F. Sonetti (Ed.), La Persia Qajar 1848-1864. Fotografi italiani in Iran 1848-1864 (pp. 178-179). Rome: PellitiAssociati.

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Brusius, M. (2009). Review of: Bredekamp, Horst, Birgit Schneider and Vera Dünkel (eds): Das Technische Bild: Kompendium zu einer Stilgeschichte wissenschaftlicher Bilder. Berlin: Akademie-Verl. 2008. The British Journal for the History of Science, 42(4), 611-612.

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Brusius, M. (2009). Noch einmal von vorne: drei neue Publikationen zur frühen Fotografie. Reviews of: Batchen, Geoffrey: William Henry Fox Talbot. London: Phaidon 2008; Jacobson, Ken: Odalisques & arabesques: orientalist photography 1839-1925. London: Quaritch 2007; Taylor, Roger: Impressed by light: British photography from paper negatives, 1840-1860. New Haven: Yale Univ. Press 2007. Rundbrief Fotografie, 16(1), 29-33.

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Brusius, M. (2007). Kunst, Nicht-Kunst’, Review, Exhibition Catalogue P.H. Emerson, National Media Museum, Bradford (UK).

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Brusius, M. (2007). Die energische Amerika. Überlegungen zur Erdteilallegorie der Amerika in Andrea Pozzos Langhausfresko in der Jesuitenkirche S. Ignazio in Rom und der jesuitischen Missionstätigkeit in der Neuen Welt.

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Brusius, M. (2007). Bellezze dell' animo. Weibliche Profilportraits in Italiens Quattrocento. In Steinbrück (Ed.), Das Portrait. Eine Bildgattung und ihre Möglichkeiten (pp. 15-30). Berlin: Deutscher Kunstverlag.

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Presentations
February 2013
College Art Association Annual Conference (session ‘Photography in Doubt’), New York City
The doubtful user. W.H.F. Talbot’s early attempts to advance photography (with Chitra Ramalingam)
September 2012
Indian-European Advanced Research Network, Research Group on Museums and History, Workshop on the Comparative History of Museums in India and Europe, India International Centre, Delhi
Statement on ‘ownership vs. custodianship’
April 2012
Photography and its Origins, Symposium, Rutgers University
Talbot's notes. Revisiting the origins of photography in the light of a wider Victorian archive
February 2011
Transnationale Museumsgeschichte 1750-1940, Technische Universität Berlin
Der Nahe Osten im Depot. Assyrische Museumsobjekte als kulturelle Herausforderung im Viktorianischen England
September 2011
Iran colloquium, Yale University
The back and forth of photography. Naser al Din Shah and images of transmission between 19th century Europe and Qajar Iran
July 2012
DFG Emmy Noether-Nachwuchsgruppe 'Kosmos/Ornatus. Ornamente in Persien und Frankreich um 1400 im Vergleich’, Freie Universität Berlin
New light on the manuscript page. Persian 'Muraqqa' and the arrival of photography in Qajar Iran
July 2012
Cultures of Curating: Curatorial Practices and the Production of
Meaning c. 1650-2000 (session co-organizer), University of Lincoln
Objects on the threshold. Curators around 1850 and the new arrival of objects from Mesopotamia in Londo
March 2012
Association of Art Historians Conference, Open University
Early Photography in Qajar Iran. Writing the history of photography between miniature painting and Western technocracy
February 2012
Forschungskolloqium zur Geschichte des Wissens, Humboldt-Universität zu Berlin
Objekte ohne Status: Gescheiterte Kanonisierungsprozesse nahöstlicher Museumsobjekte in europäischen Sammlungen des 19. Jahrhunderts
December 2011
Tehran 50 – Archaeology and the practice of identity modelling in Iran and Germany in the light of coeval international relations, International Colloquium, Pergamon Museum Berlin
Constructing Persia through the camera's lens. Histories of early photographic documentation in Qajar Iran
August 2011
Photography and Cinematography in Qajar Era Iran, University of St Andrews
Image problems: Photographic (self-)representations of Persia by Nasser Al-Din Shah and European travelling artists in the mid 19th century
July 2011
British Society for the History of Science Annual Conference, University of Exeter
Objects without status – pictures without purpose. The organisation and visualisation of Middle Eastern archaeological findings in 19th century Europe
May 2011
6th European Spring School in History of Science and Popularization, Maó (Menorca)
Objects without status – pictures without purpose. The organisation and visualisation of Middle Eastern archaeological findings in 19th century Europe
March 2011
Cabinet of Natural History, University of Cambridge
“Map of Turkey, a flexible hat, pencils, and the Talbotype”: Travelling artists in mid-19th century archaeological expeditions to the Middle East
June 2010
William Henry Fox Talbot: Beyond photography, Centre for Research in the Arts, Social Sciences and Humanities (Crassh), University of Cambridge
Preserving the Forgotten: Talbot and the Antique
May 2010
Workshop "Knowledge and Visual Culture", Centro de Ciencias Humanas y Sociales, Madrid
Making objects mobile. Photography in Aby Warburg's Mnemosyne Atlas
March 2010
Gallery Talks, Exhibition: Points of View: Capturing the 19th Century in Photographs, The British Library
“A Useful Tool for the Sciences?” Fox Talbot and the invention of photography
March 2010
Lunchtime talk, Department of the Middle East, The British Museum
Photography and Decipherment. Talbot and Fenton at the British Museum around 1850
Nov 2009
Paris Photo Conference, Carrousel du Louvre, Paris
Persia, Photography and Prestige. Nasser Al-Din Shah (r. 1848-1896) and the early advancement of a new medium in the Middle East
Nov 2009
History of Science Society 2009 Annual Meeting Phoenix, AZ
W.H.F. Talbot and Roger Fenton at the British Museum. Photographs as Proxy in 19th-century Assyriology
Oct 2009
The Royal Society, Lecture Series Autumn 2009 (Victorian Science), London
Photographing ancient Mesopotamia: Talbot, Fenton and the British Museum
April 2009
Multiplying the Visual in the Nineteenth Century, Columbia University, New York
Representations in a triple sense – Talbot’s photographs of a plaster cast of 'Patroclus'
Feb 2009
Natural Dialogues, Art, Science, & Material Culture, Yale Center for British Art, New Haven
‘Useful, good and beautiful' – William Henry Fox Talbot’s invention of the Calotype: a new art and a scientific breakthrough
Teaching activities
2013
Humboldt-Universität zu Berlin (Institut für Kulturwissenschaft)Lost in Transnation. Reiseziele, Präfixe und Tendenzen einer global ausgerichteten historischen Geisteswissenschaft
2007-2011
University of Cambridge (Department of History and Philosophy of Science)Undergraduate supervisor in History of Science, Scientific Images Discussion Group (Organizer), "German Therapy" (Tutor)
2010
Humboldt-Universität zu Berlin (Institut für Kunst- und Bildgeschichte)Seminar "William Henry Fox Talbot. Photographie, Wissenschaft und Universalgelehrtentum im 19. Jahrhundert"
2009
University of Cambridge (Department of History of Art)B.A. dissertation supervisor
2008
Sotheby's Institute LondonGuest lecturer in History of Photography