Working Group: Documenting the World

Working Group: Documenting the World

Working Group: Kelley Wilder; Gregg Mitman, Gregg Mitman

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Ventor, Isle of Wright, The Museum © University of St. Andrews, Library Photographic Archive

Archives composed of photographs or film span the scope of human history: these are archives as intimate as the family shoebox and as vast as the world’s microfilm holdings. They form the backbone for visually based disciplines like the History of Art, and alter the way we collect information and learn from it. Photographic and filmic documents in archives do not speak for themselves. They only have life in relationship to something else: to the context of their production, to other documents in the archive, to a person’s life history, to a historical narrative. These documents are always on the verge of becoming documentaries – otherwise they would be dead to the world.

This working group will investigate the impulses behind much of the archiving activity that utilized the two mediums. We will specifically avoid the much discussed indexical status of photographic and filmic documents as such, preferring to investigate how these photographic and filmic documents, through their creation and circulation, are continually shaping and reformulating the status of the archive. We want to know how photographic documents are made, how they circulate, and how they become documentaries. The working group takes on such subjects as the use of photography and film for "documenting up" swathes of people or landscapes, re-documentation of formerly documented objects, the organization of the kinds of archives that aspire(d) to disseminate the world documented in pictures, or the clarification of specific disciplinary measures for controlling or forming photographic or filmic documentation.

Documenting the World attends to both the material and cultural histories of the photographic, filmic, or digital scientific record. It aims to reflect on, and work toward, a set of common methodologies that can reach across the divides of film and photographic history.

Funding Institutions

Max Planck Institute for the History of Science, Berlin