| Section I: Materiality of Sound | |
|---|---|
| 14.15 | Bernhard Siegert (Weimar): Erzklang. Kulturgeschichte als Signalanalyse |
| 15.30 Coffee-Break | |
| 15.30 | Peter Szendy (Paris, Nanterre): Klangfiguren (a Hit in the Lab) |
| 16.15 | Julia Kursell (Berlin): Sound Objects |
| THURSDAY, 5TH OCTOBER 06 | |
|---|---|
| 14.00 | Welcome |
| Section II: Registration, Transmission, Transformation | |
|---|---|
| 10.00 | Florian Dombois (Bern): 'Muscle-Telephone'. The undiscovered start of audification in the 1870ies |
| 10.45 Coffee-Break | |
| 11.15 | Henning Schmidgen (Berlin): Silence in the Laboratory. The History of Sound-Proof Rooms |
| 12.00 | Jonathan Sterne (Montreal): Cats and people in the Psychoacoustics Lab 1914-1930 |
| 12.45 Lunch | |
| 14.30 | Wolfgang Hagen (Berlin): The Resonance of the Voices. Some Epistemological Remarks on the Radio-Voice |
| 15.15 Coffee-Break |
| Section III: Experimental Aesthetics | |
|---|---|
| 15.45 | Douglas Kahn (Davis, CA): VLF and Musical Aesthetics |
| 16.30 | Daniel Gethmann (Graz): Ästhetik des Signals |
| FRIDAY, 6TH OCTOBER 06 |
|---|
| SATURDAY, 7TH OCTOBER 06 | |
|---|---|
| 10.00 | Reinhart Meyer-Kalkus (Berlin): Sprechkunst im Berliner Lautarchiv 1920-1933 |
| 10.45 Coffee-Break | |
| 11.15 | Elena Ungeheuer (Berlin): Producing - Representing - Constructing: Towards an Art-Oriented Aesthetical Theory of Action Related to Categories of Experimental Methods |
| 12.00 Lunch | |
| 13.00 | Myles Jackson (Salem, OR): Standardizing an Aesthetic Quality. Physicists, Musicians, Instrument Makers and Concert Pitch in the Nineteenth Century |
| 13.45 | Hans-Jörg Rheinberger (Berlin): Commentary |
| Final Discussion |
