Max Planck Institut für Wissenschaftsgeschichte

Mirjam Brusius

Postdoctoral Research Fellow

Ph.D.

Residence: September 1, 2012 - August 31, 2013


Profile

Mirjam Brusius is working on a book project concerning the meaning of Middle Eastern archaeological objects during the transition period on their way to Europe when the finds seem to have no status. The project investigates the subsequent processes of canonization and decanonization these objects caused upon their arrival in the leading museums of the nineteenth century. Further projects include articles on the history of photography and expeditions in the Middle East, a short monograph on the archive and scholarly practices of the British pioneer of photography W.H.F. Talbot as well as a co-edited volume on Talbot's interest beyond photography to be published by Yale University Press in 2013.

Mirjam read art history, cultural studies and musicology at Humboldt-Universität zu Berlin and Université Paris III. From 2007 to 2011 she was a PhD candidate in History and Philosophy of Science at the University of Cambridge and the British Library where she catalogued Talbot’s versatile notebooks as part of her AHRC funded collaborative PhD project. Her thesis (supervised by Prof Simon Schaffer) "Preserving the Forgotten – W.H.F. Talbot, Photography and the Antique" explored the co-emergence of photography and the antique sciences in Victorian Britain. During this time she spent a year as a visiting fellow at MPIWG and Freie Universität and also undertook field trips to the Middle East.

Before returning to Department II, she spent a year travelling to some of the archives of the 'statusless objects' and held fellowships at the Paul Mellon Centre, the Yale Center for British Art, Humboldt-Universität zu Berlin, the German Historical Institute London, the Centre Allemand d'Histoire de l'Art de Paris and most recently at the Kunsthistorisches Institut in Florenz – Max-Planck-Institut, where she will continue her affiliation with the project "Connecting Art Histories in the Museum" based at the Staatliche Museen Berlin.

Selected publications

Mirjam Brusius, Katrina Dean, Chitra Ramalingam (Editor/s). William Henry Fox Talbot: Beyond Photography. New Haven, London: Yale University Press, forthcoming, 2013.

Mirjam Brusius. "Misfit Objects. Excavations in Mesopotamia and biblical imagination in mid-19th century Britain. " Journal of Literature and Science 5 (1 2012)

Brusius, Mirjam. "Impreciseness in Julia Margaret Cameron’s portrait photography. " History of Photography 34 (4 2010)

Mirjam Brusius. "Beyond Photography. William Henry Fox Talbot’s notebooks in the Talbot Collection at the British Library. " British Library Electronic Journal Article 14 (2010)

Mirjam Brusius. "Inscriptions in a double sense: An early scientific photograph of script. " Nuncius. Journal of the History of Science 24 (2 2009)

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Talks and presentations

February 2013
College Art Association Annual Conference (session ‘Photography in Doubt’), New York City – The doubtful user. W.H.F. Talbot’s early attempts to advance photography (with Chitra Ramalingam)
September 2012
Indian-European Advanced Research Network, Research Group on Museums and History, Workshop on the Comparative History of Museums in India and Europe, India International Centre, Delhi – Statement on ‘ownership vs. custodianship’
April 2012
Photography and its Origins, Symposium, Rutgers University – Talbot's notes. Revisiting the origins of photography in the light of a wider Victorian archive
February 2011
Transnationale Museumsgeschichte 1750-1940, Technische Universität Berlin – Der Nahe Osten im Depot. Assyrische Museumsobjekte als kulturelle Herausforderung im Viktorianischen England
September 2011
Iran colloquium, Yale University – The back and forth of photography. Naser al Din Shah and images of transmission between 19th century Europe and Qajar Iran

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Teaching activities

2013
Humboldt-Universität zu Berlin (Institut für Kulturwissenschaft – Lost in Transnation. Reiseziele, Präfixe und Tendenzen einer global ausgerichteten historischen Geisteswissenschaft
2007-2011
University of Cambridge (Department of History and Philosophy of Science) – Undergraduate supervisor in History of Science, Scientific Images Discussion Group (Organizer), "German Therapy" (Tutor)
2010
Humboldt-Universität zu Berlin (Institut für Kunst- und Bildgeschichte) – Seminar "William Henry Fox Talbot. Photographie, Wissenschaft und Universalgelehrtentum im 19. Jahrhundert"
2009
University of Cambridge (Department of History of Art) – B.A. dissertation supervisor
2008
Sotheby's Institute London – Guest lecturer in History of Photography